It has been years since I’ve had enough time to do any writing creatively. I’ve dabbled a bit each summer, but the full-time job and part-time PhD have been more than enough to handle. Now that I’m on career break to focus on writing up, though, I think I might actually get a chance to focus on some creative projects, and the fact that it’s almost November is just perfect. I’m going to go back to NaNoWriMo!
While researching my PhD chapter on Oscar Wilde and The Picture of Dorian Gray, I did a lot of wider reading and reread Nathaniel Hawthorne’s The Marble Faun. The homologies between the two novels—with characters and art blended in unusual ways—got me thinking, and I couldn’t help but wonder how Hawthorne’s tale might have been told differently. (Despite the very best efforts of Elisa New and her class on American poetry, my enjoyment of more overtly Puritanical nineteenth-century American fiction is always tempered.)
I started wondering how the bare facts of the story might be retold by a young Oscar Wilde, travelling Rome and the surrounding area. The ideas and values that produced Dorian Gray might have led the story in a completely different direction. I made some notes and toyed around with the idea a little a few years ago, so I’m going to resurrect it. As well as reframing the novel as a piece of neo-Victorian literature, I also plan to construct a critical paratext around the new text, framing it as a digital critical edition, with analyses of differences in style, form, and content.
Although most of my fiction and poetry writing has been digital, I’ve never conceived of novel-writing as a digital humanities project before, and it’s going to be fun to try out some of the skills that I’ve used annotating and creating editions on NAVSA’s Central Online Victorian Educator on an independent project.